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Strona 13 z 25
MA distance, space, interval (in time)
MACHIGAI mistake
MAE forward; przód, do przodu
MAMORI TE as for seme te; covering or protecting hand
MARUI ruch sferyczny
MASSUGU straight ahead
MATADACHI split in side of hakama
MATE czekać, poczekać, „poddaję się”
MATSU sosna
MAWAI (MAAI) mutual distance (in space)
MAWARI swinging around
MAWARI MIGI turn right
MAWATTE turn around
ME eye
MEGURI ruch okrężny (głównie nadgarstków oraz „centrum”), spiralny ruch
energii
MEI signature on tang
MEKUGI retaining peg
MEKUGI ANA hole for peg, hole through tang
MEN head, głowa
MENUKI decorative fixtures on handle
METSUKE gaze, look – eyes on the opponent
ENZEN NO METSUKE gaze at the far mountains
MICHI droga, ścieżka, dążenie do doskonałości
MICHIBIKI przewodnik, prowadzący
MIGI right; prawy, w prawo
MIMI ear
MINE back of the blade; grzbiet miecza
MIRU look
MISOGI oczyszczenie
MITSUKADO point where shinogi, yokote, and ko shinogi meet
MOKUSO close the eyes, meditation; medytować, koncentracja
MONO UCHI 1/3 of blade nearest tip, cutting area
MONSTUKI clothing for upper part of the body with long sleeves and a mon (family
crest) on it
MORO TE two hands on tsuka
MOROTE KESAGIRI two-handed diagonal cut
MOROTE UCHI two handed cut
MOTO E back to your line, on line
MOTODACHI defender, teacher side in waza practice
MUDANSHA members with kyu grades
MUGA no ego
MUNE1 chest, particularly the area over the heart, in kendo, the embroidered
part of the do above, the do target; pierś, klapa marynarki, klatka
piersiowa
MUNE2 back of blade
MITSUMUNE 3 surfaces
MARUMUNE rounded
IORIMUNE standard 2 surfaces
MUNE MACHI notch for habaki at back of blade
MUNEN no thought
MUSASHUGYO uczenie się i doskonalenie w różnych szkołach, u różnych trenerów
MUSHIN, MUSO no mind, no rationalization
MUSO JIKIDEN EISHIN RYU a style or school of Iai, named for Hasagawa Eishin
MUSO SHINDEN RYU style related to the above, originated by Nakayama Hakudo
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